Mixpod


Music

Friday, January 30, 2009

SoCCSKSarGen Bloggers' night at Genee

I must admit I'm not much of a joiner as I have been a lone wolf for a long time. Avel has been pestering me to join the the SoCCSKSarGen (South Cotabato-Cotabato-Sultan Kudarat-Sarangani - General Santos) Bloggers. I needed good reasons to join the group and I got them all right. First, I learned that the group was established on November 11 (my birthday, good sign!). As I have been lurking in the blogs of the members, reading a blogpost here and there, I got more interested in meeting them in person. The opportunity presented itself when Avel invited the bloggers to a taste of Genee last night.
Genee is located at the corner of Pendatun & Matalam Avenues alongside the Fire Department. Its fish logo looks like a hybrid of Nemo & Dory, although it is supposed to be a tuna.

The design of the al fresco gazebo resto is well thought of and is an eye-pleaser with its bright lights and color combinations. The main attraction is a large mural featuring an aerial shot of Gensan's downtown area and its environs. Beside it is a scroll describing the Genee experience. Above the mural is a collage of Gensan's people and places of interest. The overheat lights are framed by carved wooden tuna while the seats' back rest is the letter G. As Genee is open from 6 a.m. to 10 p.m. and the menu boasts of tuna dishes, the resto has several electric insect "electrocutors."

Genee also has wifi so it is going to be next fave tambayan of surfers armed with their laptops and notebooks. Already, Genee is attracting young professionals, couples and families.

As the bloggers were waiting for the others to arrive, Avel brought Rey Billena, Genee's owner, and introduced him to us. He was most accommodating for hosting the dinner for us bloggers.
The resto crew is fresh-faced, smartly-dressed in shirts and fatigue city shorts, eager to please. Too eager that they served the desserts with ice cream with the meal at the same time. Result: After dinner, we had to deal with gooey melted ice cream dessert!

The meal is composed of sumptuous grilled slices of tuna/bangus and chicken with chilled slices of carrot and radish on the side arranged like a Japanese gourmet meal. The portions may be enough for the ladies, but I'm sure the male bloggers will agree that these could be made more generous for their appetites. The fresh sea breeze coming in from Sarangani Bay and the open-air ambiance are conducive to a hearty appetite so the small portions should be rethought by the management. The drinks especially the Red Iced Tea are refreshing. And the prices are wallet-friendly too. Genee serves only chicken, bangus and tuna dishes.
The bloggers are a youngish group: ages ranging from 15 (Lolliipop) to middle-age (Avel & I). Having read their blogposts, I was eager to engage in small talk Sheng, Kyawster (her hubby), Rosilie, Arnel (Rosilie's hubby), Tammy (Rosilie's sis), Loliipop, Nate Marx, Tanchi, Ariel.I hope to get to know Rammyboi, Leonard, and the others next meet-up. :)

Nate Marx and his friends gave us the perfect nightcap as they popped (the eyes) and boggled (the minds) of the bloggers with their street magic and mentalist feats.

And so as a result of last night's Bloggers' night at Genee, I readily joined the SoCCSKSarGen bloggers group this morning and became the 84th member.

Photos 1 & 2 courtesy of Avel
Photos 3 & 4 courtesy of Rammyboi
Photos 5 & 6 courtesy of Kyawster.

Monday, January 26, 2009

1000 novels everyone must read according to Guardian

Guardian, a British newspaper, came up with this list of 1000 novels everyone must read:

Legend:

x = those I have read
@ = those I have a copy of in my personal library

Status as of January 26, 2009:
Read =
In library collection =

1000 novels everyone must read: the definitive list

Comedy

Lucky Jim by Kingsley Amis
Money by Martin Amis
The Information by Martin Amis
The Bottle Factory Outing by Beryl Bainbridge
According to Queeney by Beryl Bainbridge
Flaubert's Parrot by Julian Barnes @
A History of the World in 10 1/2 Chapters by Julian Barnes
Augustus Carp, Esq. by Himself: Being the Autobiography of a Really Good Man by Henry Howarth Bashford
Molloy by Samuel Beckett
Zuleika Dobson by Max Beerbohm
The Adventures of Augie March by Saul Bellow
The Uncommon Reader by Alan Bennett
Queen Lucia by EF Benson
The Ascent of Rum Doodle by WE Bowman
A Good Man in Africa by William Boyd
The History Man by Malcolm Bradbury
No Bed for Bacon by Caryl Brahms and SJ Simon
Illywhacker by Peter Carey
A Season in Sinji by JL Carr
The Harpole Report by JL Carr
The Hearing Trumpet by Leonora Carrington
Mister Johnson by Joyce Cary
The Horse's Mouth by Joyce Cary
Don Quixote by Miguel de Cervantes x @
The Case of the Gilded Fly by Edmund Crispin
Just William by Richmal Crompton
The Provincial Lady by EM Delafield
Slouching Towards Kalamazoo by Peter De Vries
The Pickwick Papers by Charles Dickens
Martin Chuzzlewit by Charles Dickens
Jacques the Fatalist and his Master by Denis Diderot
A Fairy Tale of New York by JP Donleavy
The Commitments by Roddy Doyle
Ennui by Maria Edgeworth
Cheese by Willem Elsschot
Bridget Jones's Diary by Helen Fielding x
Joseph Andrews by Henry Fielding
Tom Jones by Henry Fielding
Caprice by Ronald Firbank
Bouvard et Pécuchet by Gustave Flaubert
Towards the End of the Morning by Michael Frayn
The Polygots by William Gerhardie
Cold Comfort Farm by Stella Gibbons
Dead Souls by Nikolai Gogol
Oblomov by Ivan Goncharov
The Wind in the Willows by Kenneth Grahame x @
Brewster's Millions by Richard Greaves (George Barr McCutcheon)
Squire Haggard's Journal by Michael Green
Our Man in Havana by Graham Greene
Travels with My Aunt by Graham Greene x @
Diary of a Nobody by George Grossmith
The Little World of Don Camillo by Giovanni Guareschi x
The Curious Incident of the Dog in the Night-time by Mark Haddon
Catch-22 by Joseph Heller x @
Mr Blandings Builds His Dream House by Eric Hodgkins
High Fidelity by Nick Hornby
I Served the King of England by Bohumil Hrabal
The Lecturer's Tale by James Hynes
Mr Norris Changes Trains by Christopher Isherwood
The Mighty Walzer Howard by Jacobson
Pictures from an Institution by Randall Jarrell
Three Men in a Boat by Jerome K Jerome
Finnegans Wake by James Joyce
The Castle by Franz Kafka
Lake Wobegon Days by Garrison Keillor x @
Death and the Penguin by Andrey Kurkov
The Debt to Pleasure by John Lanchester
L'Histoire de Gil Blas de Santillane (Gil Blas) Alain-René Lesage
Changing Places by David Lodge
Nice Work by David Lodge
The Towers of Trebizond by Rose Macaulay
England, Their England by AG Macdonell
Whisky Galore by Compton Mackenzie
Memoirs of a Gnostic Dwarf by David Madsen
Cakes and Ale - Or, the Skeleton in the Cupboard by W Somerset Maugham
Tales of the City by Armistead Maupin x @
Bright Lights, Big City by Jay McInerney x @
Puckoon by Spike Milligan
The Restraint of Beasts by Magnus Mills
Charade by John Mortimer
Titmuss Regained by John Mortimer
Under the Net by Iris Murdoch
Pnin by Vladimir Nabokov
Pale Fire by Vladimir Nabokov
Fireflies by Shiva Naipaul
The Sacred Book of the Werewolf by Victor Pelevin
La Disparition by Georges Perec
Les Revenentes by Georges Perec
La Vie Mode d'Emploi by Georges Perec
My Search for Warren Harding by Robert Plunkett
A Dance to the Music of Time by Anthony Powell x @
A Time to be Born by Dawn Powell
Excellent Women by Barbara Pym
Less Than Angels by Barbara Pym
Zazie in the Metro by Raymond Queneau
Solomon Gursky Was Here by Mordecai Richler
Alms for Oblivion by Simon Raven
Portnoy's Complaint by Philip Roth x @
The Westminster Alice by Saki
The Unbearable Bassington by Saki
Hurrah for St Trinian's by Ronald Searle
Great Apes by Will Self
Porterhouse Blue by Tom Sharpe
Blott on the Landscape by Tom Sharpe
Office Politics by Wilfrid Sheed
Belles Lettres Papers: A Novel by Charles Simmons
Moo by Jane Smiley x @
Topper Takes a Trip by Thorne Smith
The Adventures of Ferdinand Count Fathom by Tobias Smollett
The Adventures of Roderick Random by Tobias Smollett
The Adventures of Peregrine Pickle by Tobias Smollett
The Expedition of Humphry Clinker by Tobias Smollett
The Prime of Miss Jean Brodie by Muriel Spark x @
The Girls of Slender Means by Muriel Spark
The Driver's Seat by Muriel Spark
Loitering with Intent by Muriel Spark
A Far Cry from Kensington by Muriel Spark
The Life and Opinions of Tristram Shandy, Gentleman by Laurence Sterne
White Man Falling by Mike Stocks
Handley Cross by RS Surtees
A Tale of a Tub by Jonathan Swift
Penrod by Booth Tarkington x @
The Luck of Barry Lyndon by William Makepeace Thackeray
Before Lunch by Angela Thirkell
Tropic of Ruislip by Leslie Thomas
A Confederacy of Dunces by John Kennedy Toole x @
Barchester Towers by Anthony Trollope
Venus on the Half-Shell by Kilgore Trout
The Mysterious Stranger by Mark Twain
The Witches of Eastwick by John Updike x @
Breakfast of Champions by Kurt Vonnegut x @
Infinite Jest by David Foster Wallace
Decline and Fall by Evelyn Waugh
Vile Bodies by Evelyn Waugh
Black Mischief by Evelyn Waugh
Scoop by Evelyn Waugh
The Loved One by Evelyn Waugh
A Handful of Dust by Evelyn Waugh
The Life and Loves of a She-Devil by Fay Weldon x @
Tono Bungay by HG Wells
Molesworth by Geoffrey Willans and Ronald Searle
The Wimbledon Poisoner by Nigel Williams
Anglo-Saxon Attitudes by Angus Wilson
Something Fresh by PG Wodehouse
Piccadilly Jim by PG Wodehouse
Thank You Jeeves by PG Wodehouse
Heavy Weather by PG Wodehouse
The Code of the Woosters by PG Wodehouse
Joy in the Morning by PG Wodehouse

Crime

The Man with the Golden Arm by Nelson Algren
Fantomas by Marcel Allain and Pierre Souvestre
The Mask of Dimitrios by Eric Ambler
Epitaph for a Spy by Eric Ambler
Journey into Fear by Eric Ambler x @
The New York Trilogy by Paul Auster x @
Trent's Last Case by EC Bentley
The Poisoned Chocolates Case by Anthony Berkeley
The Beast Must Die by Nicholas Blake
Lady Audley's Secret by Mary E Braddon
The Neon Rain by James Lee Burke
The Tin Roof Blowdown by James Lee Burke
The Thirty-Nine Steps by John Buchan
Greenmantle by John Buchan
The Asphalt Jungle by WR Burnett
The Postman Always Rings Twice by James M Cain x @
Double Indemnity by James M Cain
True History of the Ned Kelly Gang by Peter Carey
The Hollow Man by John Dickson Carr
The Big Sleep by Raymond Chandler
The Long Goodbye by Raymond Chandler
No Orchids for Miss Blandish by James Hadley Chase
The Riddle of the Sands by Erskine Childers
And Then There Were None by Agatha Christie x @
The Mysterious Affair at Styles by Agatha Christie x @
The Murder of Roger Ackroyd by Agatha Christie x @
The Murder at the Vicarage by Agatha Christie x @
The Secret Adversary by Agatha Christie x @
The Woman in White by Wilkie Collins
The Moonstone by Wilkie Collins x @
A Study in Scarlet by Arthur Conan Doyle x @
The Hound of the Baskervilles by Arthur Conan Doyle x @
The Sign of Four by Arthur Conan Doyle x @
The Manchurian Candidate by Richard Condon x @
The Secret Agent by Joseph Conrad
Under Western Eyes by Joseph Conrad
Postmortem by Patricia Cornwell
The Andromeda Strain by Michael Crichton x @
Jurassic Park by Michael Crichton x @
Poetic Justice by Amanda Cross
The Ipcress File by Len Deighton x @
Last Seen Wearing by Colin Dexter
The Remorseful Day by Colin Dexter
Ratking by Michael Dibdin
Dead Lagoon by Michael Dibdin
Dirty Tricks by Michael Dibdin
A Rich Full Death by Michael Dibdin
Vendetta by Michael Dibdin
Crime and Punishment by Fyodor Dostoevsky x @
An American Tragedy by Theodore Dreiser x
My Cousin Rachel by Daphne du Maurier
The Count of Monte Cristo by Alexandre Dumas x
The Pledge by Friedrich Durrenmatt
The Crime of Father Amado by José Maria de Eça de Queiroz
The Name of the Rose by Umberto Eco x @
American Psycho by Bret Easton Ellis x @
LA Confidential by James Ellroy x @
The Big Nowhere by James Ellroy x @
A Quiet Belief in Angels by RJ Ellory
Sanctuary by William Faulkner
Casino Royale by Ian Fleming x
Goldfinger by Ian Fleming x @
You Only Live Twice by Ian Fleming x
The Day of the Jackal by Frederick Forsyth x @
Brighton Rock by Graham Greene
A Gun for Sale by Graham Greene
The Ministry of Fear by Graham Greene
The Third Man by Graham Greene
A Time to Kill by John Grisham x @
The King of Torts by John Grisham
Hangover Square by Patrick Hamilton
The Glass Key by Dashiell Hammett
The Maltese Falcon by Dashiell Hammett
Red Harvest by Dashiell Hammett
The Thin Man by Dashiell Hammett
Fatherland by Robert Harris
Black Sunday by Thomas Harris x @
Red Dragon by Thomas Harris x @
Tourist Season by Carl Hiaasen
The Friends of Eddie Coyle by George V Higgins x @
Strangers on a Train by Patricia Highsmith
The Talented Mr Ripley by Patricia Highsmith x @
Bones and Silence by Reginald Hill
A Rage in Harlem by Chester Himes
Miss Smilla's Feeling for Snow by Peter Hoeg x @
Rogue Male by Geoffrey Household
Malice Aforethought by Francis Iles
Silence of the Grave by Arnadur Indridason
Death at the President's Lodging by Michael Innes
Cover Her Face by PD James
A Taste for Death by PD James
Friday the Rabbi Slept Late by Harry Kemelman x @
Misery by Stephen King x @
Dolores Claiborne by Stephen King x @
Kim by Rudyard Kipling x @
The Constant Gardener by John le Carre x @
Tinker, Tailor, Soldier, Spy by John le Carre x @
The Spy Who Came in from the Cold by John le Carre x @
To Kill a Mockingbird by Harper Lee x @
52 Pick-up by Elmore Leonard x @
Get Shorty by Elmore Leonard x @
Motherless Brooklyn by Jonathan Lethem
The Bourne Identity by Robert Ludlum x @
Cop Hater by Ed McBain
No Country for Old Men by Cormac McCarthy x @
Enduring Love by Ian McEwan
Sidetracked by Henning Mankell
Devil in a Blue Dress by Walter Mosley x @
The Great Impersonation by E Phillips Oppenheim
The Strange Borders of Palace Crescent by E Phillips Oppenheim
My Name is Red by Orhan Pamuk
Toxic Shock by Sara Paretsky
Blacklist by Sara Paretsky
Nineteen Seventy Four by David Peace
Nineteen Seventy Seven by David Peace
The Big Blowdown by George Pelecanos
Hard Revolution by George Pelecanos
Lush Life by Richard Price
The Godfather by Mario Puzo x @
V by Thomas Pynchon x @
The Crying of Lot 49 by Thomas Pynchon
Black and Blue by Ian Rankin
The Hanging Gardens by Ian Rankin
Exit Music by Ian Rankin
Judgment in Stone by Ruth Rendell
Live Flesh by Ruth Rendell
Dissolution by CJ Sansom
Whose Body? by Dorothy L Sayers
Murder Must Advertise by Dorothy Le Sayers
The Madman of Bergerac by Georges Simenon
The Blue Room by Georges Simenon
The Laughing Policeman by Maj Sjowall and Per Wahloo
Gorky Park by Martin Cruz Smith x @
Of Mice and Men by John Steinbeck x @
The League of Frightened Men by Rex Stout
Perfume by Patrick Suskind
The Secret History by Donna Tartt x @
The Daughter of Time by Josephine Tey
The Getaway by Jim Thompson
Pudd'nhead Wilson by Mark Twain
A Dark-Adapted Eye by Barbara Vine
A Fatal inversion by Barbara Vine
King Solomon's Carpet by Barbara Vine
The Four Just Men by Edgar Wallace
Fingersmith by Sarah Waters
Native Son by Richard Wright x @
Therese Raquin by Emile Zola

Family and self

The Face of Another by Kobo Abe
Little Women by Louisa May Alcott x @
Behind the Scenes at the Museum by Kate Atkinson
Cat's Eye by Margaret Atwood
Epileptic by David B
Room Temperature by Nicholson Baker
Eugenie Grandet by Honore de Balzac
Le Pere Goriot by Honore de Balzac
The Crow Road by Iain Banks
The L Shaped Room by Lynne Reid Banks
Fun Home by Alison Bechdel
Malone Dies by Samuel Beckett
A Legacy by Sybille Bedford
Herzog by Saul Bellow x @
Humboldt's Gift by Saul Bellow x @
The Old Wives' Tale by Arnold Bennett
G by John Berger
Extinction by Thomas Bernhard
Two Serious Ladies by Jane Bowles
Any Human Heart by William Boyd
The Death of Virgil by Hermann Broch
Evelina by Fanny Burney
The Way of All Flesh by Samuel Butler
The Sound of my Voice by Ron Butlin
The Outsider by Albert Camus
Wise Children by Angela Carter
The Professor's House by Willa Cather
The Wapshot Chronicle by John Cheever x @
The Awakening by Kate Chopin x @
Les Enfants Terrible by Jean Cocteau
The Vagabond by Sidonie-Gabrielle Colette
Manservant and Maidservant by Ivy Compton-Burnett
Being Dead by Jim Crace
Quarantine by Jim Crace
The Mandarins by Simone de Beauvoir
Roxana by Daniel Defoe
Great Expectations by Charles Dickens x @
The Brothers Karamazov by Fyodor Dostoevsky x @
My New York Diary by Julie Doucet
The Millstone by Margaret Drabble
My Family and Other Animals by Gerald Durrell x @
Silence by Shusaku Endo
The Gathering by Anne Enright
Middlesex by Jeffrey Eugenides
As I Lay Dying by William Faulkner
The Sound and the Fury by William Faulkner x @
The Sportswriter by Richard Ford x @
Howards End by EM Forster x @
Spies by Michael Frayn
Hideous Kinky by Esther Freud
The Man of Property by John Galsworthy
Mary Barton by Elizabeth Gaskell
The Immoralist by Andre Gide
The Vatican Cellars by Andre Gide
The Vicar of Wakefield by Oliver Goldsmith x @
The Power and the Glory by Graham Greene
Hunger by Knut Hamsun
The Shrimp and the Anemone by LP Hartley
The Old Man and the Sea by Ernest Hemingway x @
Steppenwolf by Herman Hesse x @
Narziss and Goldmund by Hermann Hesse x @
The Three Paradoxes by Paul Hornschemeier
Tom Brown's Schooldays by Thomas Hughes x
A Prayer for Owen Meany by John Irving x @
The Ambassadors by Henry James
Washington Square by Henry James
The Tortoise and the Hare by Elizabeth Jenkins
The Unfortunates by BS Johnson
A Portrait of the Artist as a Young Man by James Joyce
Ulysses by James Joyce
Good Behaviour by Molly Keane
Memet my Hawk by Yasar Kemal
One Flew Over the Cuckoo's Nest by Ken Kesey x @
The Buddha of Suburbia by Hanif Kureishi
Sons and Lovers by DH Lawrence
Cider with Rosie by Laurie Lee
Invitation to the Waltz by Rosamond Lehmann
The Golden Notebook by Doris Lessing x @
How Green was My Valley by Richard Llewellyn
Martin Eden by Jack London
Under the Volcano by Malcolm Lowry
The Member of the Wedding by Carson McCullers x @
Palace Walk by Naguib Mahfouz
The Assistant by Bernard Malamud
Buddenbrooks by Thomas Mann
The Chateau by William Maxwell
The Rector's Daughter by FM Mayor
The Ordeal of Richard Feverek by George Meredith
Family Matters by Rohinton Mistry
Sour Sweet by Timothy Mo
The Lonely Passion of Judith Hearne by Brian Moore
The Bluest Eye by Toni Morrison x @
Song of Solomon by Toni Morrison x @
Who Do You Think You Are? by Alice Munro
The Black Prince by Iris Murdoch
The Man Without Qualities by Robert Musil
A House for Mr Biswas by VS Naipaul
At-Swim-Two-Birds by Flann O'Brien
Teach Us to Outgrow Our Madness by Kezaburo Oe
The Moviegoer by Walker Percy x @
The Bell Jar by Sylvia Plath
My Name Is Asher Lev by Chaim Potok
The Good Companions by JB Priestley
The Shipping News by E Annie Proulx x @
Remembrance of Things Past by Marcel Proust
A Married Man by Piers Paul Read
Pointed Roofs by Dorothy Richardson
The Fortunes of Richard Mahoney by Henry Handel Richardson
Call it Sleep by Henry Roth
Julie, ou la Nouvelle Heloise by Jean-Jacques Rousseau
The God of Small Things by Arundhati Roy
The Catcher in the Rye by JD Salinger x @
Alberta and Jacob by Cora Sandel
A Suitable Boy by Vikram Seth
Unless by Carol Shields
We Need to Talk About Kevin by Lionel Shriver
The Three Sisters by May Sinclair
The Family Moskat or The Manor or The Estate by Isaac Bashevis Singer x @
A Thousand Acres by Jane Smiley
On Beauty by Zadie Smith
The Man Who Loved Children by Christina Stead
East of Eden by John Steinbeck x @
Ballet Shoes by Noel Streatfield
Confessions of Zeno by Italo Svevo
The Magnificent Ambersons by Booth Tarkington
Angel by Elizabeth Taylor
Lark Rise to Candleford by Flora Thompson
The Blackwater Lightship by Colm Toibin
The Secret Diary of Adrian Mole, Aged 13 3/4 by Sue Townsend x @
Death in Summer by William Trevor
Fathers and Sons by Ivan Turgenev
Peace in War by Miguel de Unamuno
The Rabbit Omnibus by John Updike x @
The Color Purple by Alice Walker
Jimmy Corrigan, The Smarest Kid on Earth by Chris Ware
Morvern Callar by Alan Warner
The History of Mr Polly by HG Wells
The Fountain Overflows by Rebecca West
Frost in May by Antonia White
The Tree of Man by Patrick White
The Picture of Dorian Gray by Oscar Wilde x @
Oranges Are Not the Only Fruit by Jeanette Winterson
I'll Go to Bed at Noon by Gerard Woodward
To the Lighthouse by Virginia Woolf
Mrs Dalloway by Virginia Woolf
Swiss Family Robinson by Johann David Wyss x @

Love

Le Grand Meaulnes by Henri Alain-Fournier
Dom Casmurro Joaquim by Maria Machado de Assis
Northanger Abbey by Jane Austen
Sense and Sensibility by Jane Austen x @
Pride and Prejudice by Jane Austen x @
Mansfield Park by Jane Austen
Emma by Jane Austen
Persuasion by Jane Austen
Giovanni's Room by James Baldwin x @
Nightwood by Djuna Barnes
The Garden of the Finzi-Cortinis by Giorgio Bassani
Love for Lydia by HE Bates
More Die of Heartbreak by Saul Bellow
Lorna Doone by RD Blackmore
The Death of the Heart by Elizabeth Bowen
The Heat of the Day by Elizabeth Bowen
Jane Eyre by Charlotte Bronte x @
Vilette by Charlotte Bronte
Wuthering Heights by Emily Bronte x @
Look At Me by Anita Brookner
Rubyfruit Jungle by Rita Mae Brown x @
Possession by AS Byatt
Breakfast at Tiffany's by Truman Capote x @
Oscar and Lucinda by Peter Carey
A Month in the Country by JL Carr
My Antonia by Willa Cather
A Lost Lady by Willa Cather
Claudine a l'ecole by Sidonie-Gabrielle Colette
Cheri by Sidonie-Gabrielle Collette
Victory: An Island Tale by Joseph Conrad
The Princess of Cleves by Madame de Lafayette
The Parasites by Daphne du Maurier
Rebecca by Daphne du Maurier
The Lover by Marguerite Duras
Adam Bede by George Eliot
Daniel Deronda by George Eliot
The Mill on the Floss by George Eliot
The Virgin Suicides by Jeffrey Eugenides
The Great Gatsby by F Scott Fitzgerald x @
Tender is the Night by F Scott Fitzgerald
The Blue Flower by Penelope Fitzgerald
Madame Bovary by Gustave Flaubert
The Good Soldier by Ford Madox Ford
A Room with a View by EM Forster x @
The French Lieutenant's Woman by John Fowles x @
The Snow Goose by Paul Gallico x @
Ruth by Elizabeth Gaskell
Strait is the Gate by Andre Gide
Sunset Song by Lewis Grassic Gibbon
The Sorrows of Young Werther by Johann Wolfgang Goethe
Living by Henry Green
The End of the Affair by Graham Greene x @
The Well of Loneliness by Radclyffe Hall
Far From the Madding Crowd by Thomas Hardy
Jude the Obscure by Thomas Hardy
Tess of the D'Urbervilles by Thomas Hardy
The Woodlanders by Thomas Hardy
The Go-Between by LP Hartley
The Scarlet Letter by Nathaniel Hawthorne x @
The Transit of Venus by Shirley Hazzard
A Farewell to Arms by Ernest Hemingway x @
The Infamous Army by Georgette Heyer
Regency Buck by Georgette Heyer
The Swimming-Pool Library by Alan Hollinghurst x @
Green Mansions: A Romance of the Tropical Forest by WH Hudson
Their Eyes Were Watching God by Zora Neale Hurston x @
Crome Yellow by Aldous Huxley
The Remains of the Day by Kazuo Ishiguro x @
Portrait of a Lady by Henry James
The Wings of the Dove by Henry James
The Piano Teacher by Elfriede Jelinek
Beauty and Saddness by Yasunari Kawabata
The Far Pavillions by Mary Margaret Kaye x @
Zorba the Greek by Nikos Kazantzakis x @
Moon over Africa by Pamela Kent
The Book of Laughter and Forgetting by Milan Kundera
The Unbearable Lightness of Being by Milan Kundera x @
Les Liaisons Dangereuses by Pierre-Ambroise-Francois Choderlos de Laclos
Lady Chatterley's Lover by DH Lawrence x @
The Rainbow by DH Lawrence
Women in Love by DH Lawrence x @
The Echoing Grove by Rosamond Lehmann
The Weather in the Streets by Rosamond Lehmann
Gentlemen Prefer Blondes by Anita Loos
Zami by Audre Lorde
Foreign Affairs by Alison Lurie x @
Samarkand by Amin Maalouf
Death in Venice by Thomas Mann x @
The Silent Duchess by Dacia Maraini
A Heart So White by Javier Marias
Love in the Time of Cholera by Gabriel Garcia Marquez x @
Of Human Bondage by Somerset Maugham
So Long, See you Tomorrow by William Maxwell
The Heart is a Lonely Hunter by Carson McCullers x @
Atonement by Ian McEwan x @
The Child in Time by Ian McEwan
The Egoist by George Meredith
Tropic of Cancer by Henry Miller x
Patience and Sarah by Isabel Miller
Gone With the Wind by Margaret Mitchell x @
The Pursuit of Love by Nancy Mitford
Love in a Cold Climate by Nancy Mitford
Arturo's Island by Elsa Morante
Norwegian Wood by Haruki Murakami
Lolita, or the Confessions of a White Widowed Male by Vladimir Nabokov x @
The Painter of Signs by RK Narayan
Delta of Venus by Anais Nin x @
All Souls Day by Cees Nooteboom
The English Patient by Michael Ondaatje
Doctor Zhivago by Boris Pasternak x @
Manon Lescaut by Abbe Prevost
Wide Sargasso Sea by Jean Rhys
Maurice Guest by Henry Handel Richardson
Pamela by Samuel Richardson
Clarissa by Samuel Richardson
Gilead by Marilynne Robinson
Bonjour Tristesse by Francoise Sagan
Ali and Nino by Kurban Said
Light Years by James Salter
A Sport and a Passtime by James Salter
The Reader by Benhardq Schlink x @
The Reluctant Orphan by Aara Seale
Love Story by Eric Segal x @
Enemies, a Love Story by Isaac Bashevis Singer x @
At Grand Central Station I Sat Down and Wept by Elizabeth Smart
I Capture the Castle by Dodie Smith
The Map of Love by Ahdaf Soueif
Valley of the Dolls by Jacqueline Susann x @
Waterland by Graham Swift
Diary of a Mad Old Man by Junichiro Tanizaki x @
Anna Karenina by Leo Tolstoy x @
Music and Silence by Rose Tremain
First Love by Ivan Turgenev
Breathing Lessons by Anne Tyler x @
The Accidental Tourist by Anne Tyler x @
The Night Watch by Sarah Waters
The Graduate by Charles Webb x @
The Age of Innocence by Edith Wharton
The Passion by Jeanette Winterson
East Lynne by Ellen Wood
Revolutionary Road by Richard Yates

Science fiction and fantasy

The Hitchhikers Guide to the Galaxy by Douglas Adams x @
Non-Stop by Brian W Aldiss
Foundation by Isaac Asimov x @
The Blind Assassin by Margaret Atwood
The Handmaid's Tale by Margaret Atwood x @
In the Country of Last Things by Paul Auster
The Drowned World by JG Ballard
Crash by JG Ballard x @
Millennium People by JG Ballard
The Wasp Factory by Iain Banks
Consider Phlebas by Iain M Banks
Weaveworld by Clive Barker x @
Darkmans by Nicola Barker
The Time Ships by Stephen Baxter
Darwin's Radio by Greg Bear
Vathek by William Beckford
The Stars My Destination by Alfred Bester
Fahrenheit 451 by Ray Bradbury x @
Lost Souls by Poppy Z Brite
Wieland by Charles Brockden Brown
Rogue Moon by Algis Budrys
The Master and Margarita by Mikhail Bulgakov
The Coming Race by EGEL Bulwer-Lytton
A Clockwork Orange by Anthony Burgess x @
The End of the World News by Anthony Burgess
A Princess of Mars by Edgar Rice Burroughs
Naked Lunch by William Burroughs
Kindred by Octavia Butler
Erewhon by Samuel Butler x @
The Baron in the Trees by Italo Calvino
The Influence by Ramsey Campbell x @
Alice's Adventures in Wonderland by Lewis Carroll x @
Through the Looking Glass and What Alice Found There by Lewis Carroll x @
Nights at the Circus by Angela Carter
The Passion of New Eve by Angela Carter
The Amazing Adventures of Kavalier and Clay by Michael Chabon x @
The Man who was Thursday by GK Chesterton x @
Childhood's End by Arthur C Clarke
Jonathan Strange & Mr Norrell by Susanna Clarke
Hello Summer, Goodbye by Michael G Coney
Girlfriend in a Coma by Douglas Coupland
House of Leaves by Mark Danielewski
Pig Tales by Marie Darrieussecq
The Einstein Intersection by Samuel R Delaney
Do Androids Dream of Electric Sheep? by Philip K Dick x @
The Man in the High Castle by Philip K Dick
Camp Concentration by Thomas M Disch
Foucault's Pendulum by Umberto Eco x @
Under the Skin by Michel Faber
The Magus by John Fowles x @
American Gods by Neil Gaiman x @
Red Shift by Alan Garner
Neuromancer by William Gibson x @
Herland by Charlotte Perkins Gilman
Lord of the Flies by William Golding x @
The Forever War by Joe Haldeman
Light by M John Harrison
The House of the Seven Gables by Nathaniel Hawthorne
Stranger in a Strange Land by Robert A Heinlein x @
Dune by Frank L Herbert x @
The Glass Bead Game by Herman Hesse x @
Riddley Walker by Russell Hoban
The Private Memoirs and Confessions of a Justified Sinner by James Hogg
Atomised by Michel Houellebecq
Brave New World by Aldous Huxley x @
The Unconsoled by Kazuo Ishiguro
The Haunting of Hill House by Shirley Jackson x
The Turn of the Screw by Henry James x @
The Children of Men by PD James
After London; or, Wild England by Richard Jefferies
Bold as Love by Gwyneth Jones
The Trial by Franz Kafka
Flowers for Algernon by Daniel Keyes x @
The Shining by Stephen King x @
The Victorian Chaise-longue by Marghanita Laski
Uncle Silas by Joseph Sheridan Le Fanu
The Earthsea Series by Ursula Le Guin
The Left Hand of Darkness by Ursula Le Guin
Solaris by Stanislaw Lem
Memoirs of a Survivor by Doris Lessing
The Chronicles of Narnia by CS Lewis x @
The Monk by Matthew Lewis
A Voyage to Arcturus by David Lindsay
The Night Sessions by Ken Macleod
Beyond Black by Hilary Mantel
Only Forward by Michael Marshall Smith
I Am Legend by Richard Matheson x @
Melmoth the Wanderer by Charles Maturin
The Butcher Boy by Patrick McCabe
The Road by Cormac McCarthy x @
Ascent by Jed Mercurio
The Scar by China Mieville
Ingenious Pain by Andrew Miller
A Canticle for Leibowitz by Walter M Miller Jr x @
Cloud Atlas by David Mitchell
Mother London by Michael Moorcock
News from Nowhere by William Morris
Beloved by Toni Morrison x @
The Wind-Up Bird Chronicle by Haruki Murakami
Ada or Ardor by Vladimir Nabokov
The Time Traveler's Wife by Audrey Niffenegger
Ringworld by Larry Niven
Vurt by Jeff Noon
The Third Policeman by Flann O'Brien
The Famished Road by Ben Okri
Nineteen Eighty-Four by George Orwell x @
Fight Club by Chuck Palahniuk
Nightmare Abbey by Thomas Love Peacock
Titus Groan by Mervyn Peake
The Space Merchants by Frederik Pohl and CM Kornbluth
A Glastonbury Romance by John Cowper Powys
The Discworld Series by Terry Pratchett
The Prestige by Christopher Priest
His Dark Materials by Philip Pullman x @
Gargantua and Pantagruel by Francois Rabelais
The Mysteries of Udolpho by Ann Radcliffe
Revelation Space by Alastair Reynolds
The Years of Rice and Salt by Kim Stanley Robinson
Harry Potter and the Philosopher's Stone by JK Rowling x @
Satanic Verses by Salman Rushdie x @
The Female Man by Joanna Russ
Air by Geoff Ryman
The Little Prince by Antoine de Saint-Exupery x @
Blindness by Jose Saramago
How the Dead Live by Will Self
Frankenstein by Mary Shelley x @
Hyperion by Dan Simmons
Star Maker by Olaf Stapledon
Snow Crash by Neal Stephenson
The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson x @
Dracula by Bram Stoker x @
The Insult by Rupert Thomson
The Hobbit by JRR Tolkien x @
The Lord of the Rings by JRR Tolkien x @
A Connecticut Yankee in King Arthur's Court by Mark Twain x @
Sirens of Titan by Kurt Vonnegut x @
The Castle of Otranto by Horace Walpole
Institute Benjamenta by Robert Walser
Lolly Willowes by Sylvia Townsend Warner
Affinity by Sarah Waters
The Time Machine by HG Wells x
The War of the Worlds by HG Wells x
The Sword in the Stone by TH White x @
The Old Men at the Zoo by Angus Wilson
The Book of the New Sun by Gene Wolfe
Orlando by Virginia Woolf
Day of the Triffids by John Wyndham x @
The Midwich Cuckoos by John Wyndham
We by Yevgeny Zamyatin

State of the nation

Things Fall Apart by Chinua Achebe
Anthills of the Savannah by Chinua Achebe
London Fields by Martin Amis
Untouchable by Mulk Raj Anand
Go Tell it on the Mountain by James Baldwin x @
La Comedie Humaine by Honore de Balzac
They Were Counted by Miklos Banffy
A Kind of Loving by Stan Barstow
Uncle Tom's Cabin by Harriet Beecher Stowe x @
Oroonoko, or The Royal Slave by Aphra Behn
Clayhanger by Arnold Bennett
The Last September by Elizabeth Bowen
Room at the Top by John Braine
A Dry White Season by Andre Brink
Shirley by Charlotte Bronte
Earthly Powers by Anthony Burgess x @
The Virgin in the Garden by AS Byatt
Tobacco Road by Erskine Caldwell
The Plague by Albert Camus
The Kingdom of this World by Alejo Carpentier
What a Carve Up! by Jonathan Coe
Disgrace by JM Coetzee
Waiting for the Barbarians by JM Coeztee
Microserfs by Douglas Coupland
Moll Flanders by Daniel Defoe
Underworld by Don DeLillo x @
White Noise by Don DeLillo
A Tale of Two Cities by Charles Dickens
Bleak House by Charles Dickens
Dombey and Son by Charles Dickens
Hard Times by Charles Dickens x @
Little Dorritt by Charles Dickens
Oliver Twist by Charles Dickens x @
Play It As It Lays by Joan Didion
Sybil or The Two Nations by Benjamin Disraeli
Berlin Alexanderplatz by Alfred Döblin
The Book of Daniel by EL Doctorow x @
Notes from the Underground by Fyodor Dostoevsky
The Idiot by Fyodor Dostoevsky x @
USA by John Dos Passos
Sister Carrie by Theodor Dreiser
Castle Rackrent by Maria Edgeworth
Middlemarch by George Eliot
Silas Marner by George Eliot x @
The Invisible Man by Ralph Ellison
Sentimental Education by Gustave Flaubert
Effi Briest by Theodore Fontane
Independence Day by Richard Ford
A Passage to India by EM Forster
The Corrections by Jonathan Franzen x @
The Recognitions by William Gaddis
Cranford by Elizabeth Gaskell
North and South by Elizabeth Gaskell
The Counterfeiters by Andre Gide
The Odd Women by George Gissing
New Grub Street by George Gissing
July's People by Nadine Gordimer
Mother by Maxim Gorky
Lanark by Alastair Gray
Love on the Dole by Walter Greenwood
The Mayor of Casterbridge by Thomas Hardy
A Kestrel for a Knave by Barry Hines
The Line of Beauty by Alan Hollinghurst
South Riding by Winifred Holtby
Les Miserables by Victor Hugo x @
Goodbye to Berlin by Christopher Isherwood x @
Chronicle in Stone by Ismael Kadare
How Late it Was, How Late by James Kelman
The Leopard by Giuseppi di Lampedusa
A Girl in Winter by Philip Larkin
Passing by Nella Larsen
The Grass is Singing by Doris Lessing
Babbitt by Sinclair Lewis x @
Elmer Gantry by Sinclair Lewis
Main Street by Sinclair Lewis
Absolute Beginners by Colin MacInnes
The Group by Mary McCarthy
Amongst Women by John McGahern
The Posthumous Memoirs of Bras Cubas by Joaquim Maria Machado de Assis
Of Love & Hunger by Julian Maclaren-Ross
Remembering Babylon by David Malouf
The Magic Mountain by Thomas Mann x @
The Betrothed by Alessandro Manzoni
Bel-Ami by Guy de Maupassant
A Fine Balance by Rohinton Mistry
The Time of Indifference by Alberto Moravia
A Bend in the River by VS Naipaul
McTeague by Frank Norris
Personality by Andrew O'Hagan
Animal Farm by George Orwell x @
The Ragazzi Pier by Paolo Pasolini
Cry, the Beloved Country by Alan Paton
The Moon and the Bonfire by Cesare Pavese
GB84 by David Peace
Headlong Hall by Thomas Love Peacock
Afternoon Men by Anthony Powell
Vineland by Thomas Pynchon
The Radetzky March by Joseph Roth
American Pastoral by Philip Roth
The Human Stain by Philip Roth
Midnight's Children by Salman Rushdie
Shame by Salman Rushdie
To Each his Own by Leonardo Sciascia
Staying On by Paul Scott
Last Exit to Brooklyn by Hubert Selby Jr x @
The Lonely Londoners by Samuel Selvon
God's Bit of Wood by Ousmane Sembene
The Case of Comrade Tulayev by Victor Serge
Richshaw Boy by Lao She
Saturday Night and Sunday Morning by Alan Sillitoe
The Jungle by Upton Sinclair
Novel on Yellow Paper by Stevie Smith
White Teeth by Zadie Smith
One Day in the Life of Ivan Denisovtich by Alexandr Solzhenitsyn x @
The Grapes of Wrath by John Steinbeck x @
The Red and the Black by Stendhal
This Sporting Life by David Storey
The Red Room by August Stringberg
The Home and the World by Rabindranath Tagore
Vanity Fair by William Makepeace Thackeray
The Ragged Trousered Philanthropists by Robert Tressell
The Last Chronicle of Barset by Anthony Trollope
The Way We Live Now by Anthony Trollope
The Adventures of Tom Sawyer by Mark Twain
Couples by John Updike x @
Z by Vassilis Vassilikos
Billy Liar by Keith Waterhouse
Trainspotting by Irvine Welsh
The Day of the Locust by Nathanael West x @
The Return of the Soldier by Rebecca West
The House of Mirth by Edith Wharton
The Bonfire of the Vanities by Tom Wolfe x @
Germinal by Emile Zola
La Bete Humaine by Emile Zola

War and travel

Silver Stallion by Junghyo Ahn
Death of a Hero by Richard Aldington
Master Georgie by Beryl Bainbridge
Darkness Falls from the Air by Nigel Balchin
Empire of the Sun by JG Ballard
Regeneration by Pat Barker
A Long Long Way by Sebastian Barry
Fair Stood the Wind for France by HE Bates
Carrie's War by Nina Bawden
The Savage Detectives by Roberto Bolano
The Sheltering Sky by Paul Bowles
An Ice-Cream War by William Boyd
When the Wind Blows by Raymond Briggs
Invisible Cities by Italo Calvino
Auto-da-Fe by Elias Canetti
One of Ours by Willa Cather
Journey to the End of the Night by Louis-Ferdinand Celine
Monkey by Wu Ch'eng-en
Heart of Darkness by Joseph Conrad
Lord Jim by Joseph Conrad
Nostromo by Joseph Conrad
Sharpe's Eagle by Bernard Cornwell
The History of Pompey the Little by Francis Coventry
The Red Badge of Courage by Stephen Crane x @
Robinson Crusoe by Daniel Defoe x @
Bomber by Len Deighton
Deliverance by James Dickey x @
Three Soldiers by John Dos Passos
South Wind by Norman Douglas
The Three Musketeers by Alexandre Dumas x @
Justine by Lawrence Durrell
The Bamboo Bed by William Eastlake
The Siege of Krishnapur by JG Farrell
Birdsong by Sebastian Faulks
Parade's End by Ford Madox Ford
The African Queen by CS Forester
The Ship by CS Forester
Flashman by George MacDonald Fraser
Cold Mountain by Charles Frazier
The Beach by Alex Garland
To The Ends of the Earth trilogy by William Golding
Asterix the Gaul by Rene Goscinny
The Tin Drum by Gunter Grass
Count Belisarius by Robert Graves
Life and Fate by Vassily Grossman
De Niro's Game by Rawi Hage
King Solomon's Mines by H Rider Haggard x @
She: A History of Adventure by H Rider Haggard x @
The Slaves of Solitude by Patrick Hamilton
Covenant with Death by John Harris
Enigma by Robert Harris
The Good Soldier Svejk by Jaroslav Hasek
For Whom the Bell Tolls by Ernest Hemingway x @
The Prisoner of Zenda by Anthony Hope
The Kite Runner by Khaled Hosseini
A High Wind in Jamaica by Richard Hughes
Rasselas by Samuel Johnson
From Here to Eternity by James Jones x @
Andersonville by MacKinlay Kantor
Confederates by Thomas Keneally
Schindler's Ark by Thomas Keneally x @
Day by AL Kennedy
On the Road by Jack Kerouac x @
Darkness at Noon by Arthur Koestler
The Painted Bird by Jerzy Kosinski
If Not Now, When? by Primo Levi
The Call of the Wild by Jack London x @
The Guns of Navarone by Alistair MacLean x
All the Pretty Horses by Cormac McCarthy
Blood Meridian by Cormac McCarthy
The Mark of Zorro by Johnston McCulley
Lonesome Dove by Larry McMurty x @
The Naked and the Dead by Norman Mailer x @
La Condition Humaine by Andre Malraux
Fortunes of War by Olivia Manning
One Hundred Years of Solitude by Gabriel Garcia Marquez x @
The Children of the New Forest by Frederick Marryat
Moby-Dick or, The Whale by Herman Melville x @
Tales of the South Pacific by James Michener x @
The Cruel Sea by Nicholas Monsarrat
History by Elsa Morante
Suite Francaise by Irene Nemirovsky
The Sorrow of War by Bao Ninh
Master and Commander by Patrick O'Brian
The Things They Carried by Tim O'Brien
The Scarlet Pimpernel by Baroness Emmuska Orczy
Burmese Days by George Orwell
Zen and the Art of Motorcycle Maintenance by Robert Pirsig x @
The Valley of Bones by Anthony Powell
The Soldier's Art by Anthony Powell
The Military Philosophers by Anthony Powell
Gravity's Rainbow by Thomas Pynchon
The Surprising Adventures of Baron Munchausen by Rudolp Erich Raspe
All Quiet on the Western Front by Erich Maria Remarque
The Crab with the Golden Claws by Georges Remi Herge x @
Tintin in Tibet by Georges Remi Herge x @
The Castafiore Emerald by Georges Remi Herge x @
The Devil to Pay in the Backlands by Joao Guimaraes Rosa
Sacaramouche by Rafael Sabatini
Captain Blood by Rafael Sabatini
Everything is Illuminated by Jonathon Safran Foer x @
The Hunters by James Salter
Ivanhoe by Sir Walter Scott
The Rings of Saturn by WG Sebald
Austerlitz by WG Sebald
Black Beauty by Anna Sewell x @
The Young Lions by Irwin Shaw x @
A Town Like Alice by Nevil Shute
Maus by Art Spiegelman
The Charterhouse of Parma by Stendhal
Cryptonomicon by Neil Stephenson
A Sentimental Journey by Lawrence Sterne
Kidnapped by Robert Louis Stevenson x @
Treasure Island by Robert Louis Stevenson x @
A Flag for Sunrise by Robert Stone
Sophie's Choice by William Styron x @
Gulliver's Travels by Jonathan Swift x @
War and Peace by Leo Tolstoy x @
The Adventures of Huckleberry Finn by Mark Twain x @
Around the World in Eighty Days by Jules Verne x @
A Journey to the Centre of the Earth by Jules Verne x @
Williwaw by Gore Vidal x @
Candide by Voltaire
Slaughter-House Five by Kurt Vonnegut x @
Put Out More Flags by Evelyn Waugh
Men at Arms by Evelyn Waugh
The Island of Dr Moreau by HG Wells
The Machine-Gunners by Robert Westall
Voss by Patrick White
The Virginian by Owen Wister
The Caine Mutiny by Herman Wouk x @
The Debacle by Emile Zola


Sunday, January 25, 2009

Ox-born Celebrities

2009 marks the Year of the Earth Ox or Brown Cow. Here are some Ox-born celebrities:

US President Barack Obama, the Global Chief Ox
Warren Beatty, oldest Toro playboy
Tyra Banks, America's Top Torrera on rampRichard Gere of Pretty Woman fameFast and Furious Paul WalkerMulti-accented Ox, Meryl StreepHe's the One Ox in Matrix, Laurence FishburnLady Pirate Ox, Keira KnightleySeredipitous Ox, Kate BeckinsaleAlmighty Ox Jim CarreyOxing with Charm, Holly Marie CombsEddie Cibrian - Romantic Ox in Ugly BettyMulti-acting Ox, Eddie MurphyAnother aging Toro, Don Johnson
Girl Ox, Ashley Tisdale of High School Musical

Thursday, January 22, 2009

English as the Big Filipino Hang up (Reprint)

English as the big Filipino hang up
AS I WRECK THIS CHAIR By William M. Esposo
Philippine Star Updated January 22, 2009 12:00 AM

Whenever your Chair Wrecker writes about the issue of re-imposing English as the medium of instruction here, spirited responses are generated.

Many of those who support the view that English should be taught only as subjects but not imposed as the medium of instruction are from the academe. They understand the impact of language in the learning process. They know that a people will learn more when taught in the language they are most familiar with.

They know that what is important is that we produce world-class farmers, technicians, craftsmen, engineers, doctors, nurses, scientists, laborers and so forth who can compete with the best in the world. English to world-class workers is at best an added advantage. But what is essential is the core competence in the real task or service that they provide.

A physicist who speaks the Queen’s English but cannot put together the most basic of elements is useless and will likely land in a call center.

Also, among those who support that view are the nationalists who know only too well that a country cannot possibly internalize its full sense of nationhood when a foreign language is imposed on its people as the medium of instruction.

Don’t be surprised that many Filipinos still entertain the illusion that they are Americans. The pretense with the language allows the maintenance of this illusion in the Filipino colonial mentality. If you want to talk like a Yank, soon you’ll think that you’re a Yank.

In a Youth Study in 2001, an abnormally high number of our young people openly wished that they were Americans or British. This mindset is easily reflected in a lot of the advertising materials that are directed towards young people.

Many of those who oppose the view — in other words they are for imposing English as medium of instruction — do so for all the wrong reasons.

Some of them think that without English proficiency, Filipinos cannot land jobs here and overseas. They fail to see that the language is secondary to the job competence.

Some of them mistake the current efforts of the Chinese, South Koreans and other Asian nationals to learn English as the key to acquiring the competitive edge. They think that if we learn English ahead of the Chinese, South Koreans and other Asian nationals - then we will beat them. This is fallacious thinking that mistakes the cart for the horse.

How can you beat them when you don’t even have their level of job competence — something which they acquired by learning their skills in the language they are most familiar with? Can a Filipino speaking the Queen’s English be considered better than the Chinese who makes double the quantity of products that the Filipino makes in an hour?

Filipinos fail to understand that many Europeans are bilingual but none of the European countries ever adopted a foreign language as their medium of instruction. Go to Holland and you’ll be surprised that it’s easier to converse with the Dutch in English than you can converse with the Brits if you were in England. And it’s worse if you ever get as far as Bonnie Scotland.

Easily 60% of British variations of the English language cannot be understood by Filipinos and we are not alone. In Scotland, a MacGregor clansman of mine was speaking a variation of English that I mistook for what is called broad Scots.

As I was missing three of every five words that he said, I requested him: “Freddie, kindly speak to me in English.” He answered me: “Boot I’m spaykin tae ye in mae best English (that’s how it sounded).” And he has not even started to drink a wee dram yet!

The Dutch speak good English but they never imposed English as their medium of instruction. They simply taught English as a subject. We should do the same because imposing English as medium of instruction will further propagate the exclusive character of our society. It will further aggravate the disadvantage of the poor who cannot possibly be taught properly when this foreign language is imposed on them as the medium of instruction.

Instead of hastening their learning of technical skills that can land them good jobs, we will be imposing another learning impediment as we will force them to learn in a language that over 70% of our public school teachers cannot speak, much less teach with.

To improve proficiency in English, all we must do is teach our pupils in elementary and high school English composition and grammar subjects and possibly literature. But the medium of instruction must be the language they are most familiar with.

Some of those who oppose this express parochial mindsets, especially those in the Visayas. They resent being taught in Filipino which they continue to call Tagalog. They fail to learn from the Chinese who adopted Mandarin — the language of the capital — as their national language from among the 11 Sinitic languages, 64 dialects and 64 sub-dialects.

We have already made great strides with Filipino. Are we to retrograde just to accommodate the parochial views of some Filipinos who cannot seem to shed their tribal colors and don the national colors?

Over 30 years ago, there was a vibrant Visayan movie industry in the South. But you don’t see that now because Filipino is already spoken nationwide.

Even the MILF spokesmen speak good Filipino.

Wednesday, January 21, 2009

Crossing my fingers in trying to get the feeling again in David Pomeranz's Valentine's Concert in Gensan


Being single at this age is no joke and with Valentine's Day fast approaching, I'm sure to be lining up (again!) for the yearly "firing squad" at the Oval Plaza (Joke: Singles sans lovelife on Valentine's are to be shot by a firing squad). :D

Unless (crossing my fingers) I get the chance to watch David Pomeranz's Valentine's Day Concert at the City Gym in Gensan (as announced in Bariles' blog). Then maybe I can keep trying to get the feeling again. :)

As a composer, David composed songs like Tryin' to Get the Feeling Again and The Old Songs for Barry Manilow and The Carpenters. It is easy to understand why David is a favorite singer of Pinoys - his songs are extremely hummable and its lyrics strike the right chords in our romantic hearts.
But David became popular with Pinoys when the film Zapped was shown in local cinemas and featured two of his songs which became huge hits and the theme songs of Pinoys lovers - Got to believe in magic and King & Queen of Hearts.

He also collaborated with Pinoy artists like a duet with Sharon Cuneta in If You Walk Away and recording with Lea Salonga in the Broadway musical Little Tramp the songs for which he composed.

With that in mind, I'm crossing my fingers (again!) in hoping to win this blogpost writing contest because I intend to request that the VIP pass worth P1500 be converted to 5 Upper box tickets so I can see the concert with my four high school batchmates who are more than sisters to me. For the duration of David's concert, I am hoping the wondrous Pomeranz words and music can rekindle in us the magic of finding love all over again.

I already have our foursome Valentine's date planned out: an early dinner courtesy of Grab-a-Crab and on to the concert. During the concert, I'll be giving them copies of David's songs (although I'm sure we have already memorized many of them) so we can sing along. And then after the concert, we will go back to Coffee Club 101 for some cups of coffee (and iced tea).

[Free concert tickets and gift certificates from Grab-a-Crab will be given to 5 lucky winners in a blogpost writing contest featured in Bariles' blog.]

Sunday, January 18, 2009

I am Filipino by Alexander Lacson (Reprint)


I am Filipino
By Alexander L. Lacson
Philippine Daily Inquirer
First Posted 01:02:00 01/02/2009

One of the most important things we need today as a people is a beautiful way of looking at ourselves as Filipinos, a positive and healthy image of ourselves, a wonderful definition of ourselves as a people. Our children especially need to believe that there is greatness and beauty in us as a people and as a race.

So much beauty and greatness can spring from a beautiful mind and a faithful heart.

But loving ourselves as Filipinos is not only patriotism or nationalism. There is a reason higher than that. It is primarily about stewardship. It is loving what God has given us. God gave to each one of us the Filipino and the Philippines, for us to love and care for. But how is the Filipino in our hands today? How is the Philippines, the land God gave to us as a people, in our hands today?

It is for this reason that I wrote the poem below. I give this poem as my humble gift to all of you, my fellow Filipinos. You are the brothers and sisters, the family of people, God gave to me.

It is my hope that this poem will help develop in us and in our children a healthy sense of faith and love in the Filipino, in ourselves as a people. For truly, our Creator wants us to have faith in and love for the Filipino.

Here it is:

I am Filipino. I am a child of the One God who is the Creator of all that is in our world and the universe. I am as perfect and as beautiful as my Creator planned me to be, for God created me in His image, out of His perfect love.

I am a beloved child of God, like everyone else in our world, no less than the stars above or anyone else below. As such, I have equal right and claim to all the beauty and bounty that God provided in my country and in the world.

I am an equal part of the family of humanity. I am therefore a sibling to all the men and women of our world, brethren to all Christians, to all Muslims, to all Jews, to all Buddhists, and all other peoples whose faiths lie somewhere else.

I am Filipino. My Creator planted me on a specific spot on earth, where the sun always shines, in an archipelago of 7,107 wonderful islands, which the whole world calls the “Pearl of the Orient.” Pilipinas is the country God gave to me and my people. It is the birthplace of my race. It is the home of the Filipino.

The beauty and richness of my country lured many mighty powers of the world to invade our shores. So today, my blood is a mixture of the best and the finest of the West and the East. My mind is an heir to all the great thoughts of the West, and the great virtues of the East. My heart beats with the romanticism of the West and the passion of the East.

I am Jose Rizal, Andres Bonifacio, Juan Luna, Ninoy Aquino and all those who fought for our land to become a nation of free people. I am the grandeur of Banaue, the enchantment of Boracay, the serenity of Manila Bay, and the depth and breadth of Tubbataha Reef.

I am Filipino. My Creator’s plan is for me to live my life as a Filipino and therefore, in my heart and in my mind, I shall always be a Filipino wherever I may be in the world. God wants me to belong to the Filipino family and as such, I am a “kapatid” [brother] to anyone and everyone who is Filipino, wherever he or she may be on earth.

You will know me by the word “po” in my sentences. You will know my children by their “mano po.” You will know me by the smile on my face and the warmth of my hospitality. Most important of all, you will know me by my loving and caring heart when you are in need of help, even if you are a stranger.

As a child of God, my Creator has a beautiful story for me and my people. And the story we see today is but a fleeting portion of that beautiful story that has yet to fully unfold before the eyes of the world.

I am Filipino. I am who I am today because of the role God wants me to play.

I am born to succeed. God has equipped me, within me and around me, with all the essentials I need to succeed in this world. God truly wants the highest, the best, and the most beautiful for me, because I am His child.

I am destined to be great. God planted seeds of beauty and greatness in me. He truly wants me to be great and beautiful, for God truly wants me to add more beauty and greatest to our world.

I am Filipino. I am born of freedom, in a free country. As such, I dedicate my freedom to ensuring that my people and country shall always remain free. I shall use my freedom to help other peoples, in my country or in other parts of the world, gain their own freedom.

I am born of love, out of God’s immeasurable love, in a country and in a world that can only be made beautiful by love. Love is the reason why God made me. It is what He wants me to bring into this world, so love shall be who I am.

I am born as part of the whole, as part of the answer to the question, as part of the solution to the problem, as part of the hope to our people. I am born to help the Filipino become great not only in the eyes of the world but, more so, in the eyes of our Lord.

I am Filipino. I am a faithful child of God. I shall live my life to do God’s work on earth, to help build a beautiful country for my Filipino family, and a better world for all humanity. And soon the world shall see the full measure of the greatness of Filipino, for truly the world has yet to see what God can do to and through a child, like the Filipino, who is faithful to the Lord.

I am Filipino.

Alexander Lacson is author of the Book “12 Little Things Every Filipino Can Do To Help Our Country.” Email: alacsonph@yahoo.com.

Friday, January 16, 2009

If you think spelling is not important . . .

Borrowed from Frank Cimatu's blog

Thursday, January 15, 2009

The Top 10 Irritating Pinoy Expressions Part 2 (Reprint)

Even more irritating Pinoy expressions
PENMAN By Butch Dalisay Philippine Star Updated January 12, 2009 12:00 AM
Photo is loading...


Last week’s piece on “The 10 Most Irritating Pinoy Expressions in English” unleashed a torrent of responses, many of them contributions to a further listing of words and phrases that sound like fingernails on a blackboard. I’d clearly forgotten many more of these expressions, so let me take note of the choicest ones on my readers’ lists, as well as add a couple more of my own.

1. Actually, basically, honestly, as a matter of fact. Favorite opening lines, no matter what follows. I suspect that “actually” is the Pinoy’s translation of another phrase revered in showbiz, “sa totoo lang,” mouthing which is supposed to instantly enhance the truthfulness of one’s statement. “Basically” sounds more educated than “uhmmm” and “duhhh,” so it fills those gaps just nicely, like so much starch in a sausage. And don’t you just love it when someone says, “As a matter of fact…” followed by an opinion?

2. Stuffs, equipments, jewelries, evidences, baggages, luggages. Who said we didn’t know our grammar? Add “s” to form the plural, right?

3. As in, as if. These, to some Pinoys, are complete — albeit elliptical — sentences, as in “As in!” or “As if!” For the full explanation, grab someone below 25 off the street and torture him or her for the answer. That person will probably be dead before you’re satisfied.

4. “I want to be clarified.” Unless you happen to be a vat of syrup, fruit juice, butter, or petroleum, clarifying you will be difficult, even lethal. Some matters may need to be clarified, but not people, as dense or as confused as they may be.

5. “Like what you said….” What’s with the what? Like last week’s “wherein,” “what” has insinuated itself into our English in this very strange way: “As what the Golden Rule says, do unto others….” or “Independents can sometimes win, like what the last elections proved.” What? Not!

Not all Filipinisms are or should be annoying — although “annoying” depends on who’s getting annoyed. I don’t see myself ever using such words as “presidentiable” or “Imeldific,” but I can’t take them away from Filipinos for whom they’ve acquired a very clear and precise meaning. (My abhorrence for “multiawarded” stems from the crudeness of its construction, but I’m resigned to hearing it until I croak.)

We have as much a right to contribute to the ever-growing vocabulary and usage of English as other people who use the language. If we have to bend over backwards to understand what the British mean by “dressed to the nines” or what young Americans do when they “diss” someone, then it can’t be too much to expect them to figure out what we mean by “for a while” (which some of my readers roundly scored, but which I’ve come to appreciate for its certain charm).

Of course, things get tricky when we invent words, fully expecting others to understand and to accept them the way we do. Reader Peter Stitt suggested that “fiscalize” is Pinoy news-speak, and I had to Google the word to see that he was right (or nearly so — it’s used in an even larger sense by the Portuguese, who, asserts one article, have fiscals for everything, from college exams to food and drink and taxes).

If we banned the word “votation” — the ultimate solution to every argument in this country, next to knives and guns — no one would ever get elected, and nothing would ever get done (considering where “votation” has taken us, maybe that’s not too bad). And how can anyone tell the Aggrupation of Advocates for Environmental Protection (AGAP) or the Pagadian-based Baganian Aggrupation for Development (BAD) that they have no right to exist, because... there’s no such word? (Their defense will be to fall back on the precedent of the Concerned Citizens Aggrupation, which won many votes in Zamboanga in the early 1980s.)

As I’ve said in this corner many times before, the important thing is for those who use English to deal with the outside world to be aware of the difference between our English and theirs. Otherwise, whatever works, works. (And sometimes, English among the non-English can be marvelously mangled and crystal clear all at once, as when we were haggling with a seller of T-shirts in Shanghai last month and were told by the fat lady, “This one, that one, same-same!”)

How boring life would be if we all spoke like a BBC announcer (or, as they would say over there, “presenter”) or wrote like Henry James; tuxedos are silly when we should be wearing jeans. But to those for whom language is as important as clothing on the job, appropriateness is everything, and we should know when to put on that “grammar Nazi” helmet and when to let our hair down (or whatever’s left of it).

My friend and fellow English major Marlu Balmaceda wrote in to submit her pet peeve, which is the way “enjoin” is used by most people these days, as a synonym for “encourage” — “I enjoin you to support this project, etc.” Ernie Hizon of Unilab also disliked the word, reading it as so much corporate gobbledygook. Marlu’s objection came from the fact that “enjoin” originally meant the opposite: to prohibit (“I enjoin you from returning to these shores”).

“Enjoin” happens to be one of those words whose meanings have doubled or even reversed over time, so that today, curiously enough, it can mean both things, depending on the particular usage, although its older sense is largely forgotten. “Cleave,” “awful” and “fulsome” are three other such words. To cleave is to split something apart, but it also means to hold fast to something (“the ax cleaved the dry wood” but also “the child cleaved to its mother”); “awful” used to mean “awe-inspiring” in the reign of Henry VIII, but now means something considerably different; and “fulsome” doesn’t just mean “a lot,” but also — and more correctly, today — “excessive.”

Reader Jun Mongcopa enlightened (clarified?) me about the origins of the phrase “at this point in time, which he traces back to the early ’70s, when “every Tom, Dick, Harry and Jane of an American speaker/lecturer visiting our country started using the phrase. There was an article in Time magazine about it and it would seem that the phrase was coined by a Harvard professor. Locally, by the mid-’70s, the phrase was picked up and popularized by the Asian Institute of Management. Every Juan, Tomas, and Maria who ever set foot upon the hallowed grounds of AIM, be it by attending lectures, seminars or taking up an MBA, had to use the phrase when asked to speak. It became the badge of distinction; when you used the phrase it meant you had some intellectual enlightenment from AIM, which was a really big deal at that time, AIM being touted as the Harvard of the Philippines and equally expensive as hell to enroll in.”

Durnit, I knew I missed something by not going to Harvard or AIM! Many thanks, Jun, and to all the others who sent in their contributions. I have a feeling we’re not done yet. I’ll get back to this topic one of these days —oh, I almost forgot another of your/our favorite expressions, the perfect way to end a Pinoy conversation: “Promise!”

* * *

The Top 10 Irritating Pinoy Expressions Part 1 (Reprint)

No photo
PENMAN By Butch Dalisay Philippine Star Updated January 05, 2009 12:00 AM
The top 10 irritating Pinoy expressions

Last November, the folks at Oxford University came out with a list of “top 10 irritating expressions” in the English language, by which I suppose they meant the English language as it’s employed in their corner of the English-speaking world, and not necessarily in what used to be the backwaters of the Bard’s dominion, in places like India and the Philippines. “Irritating” is, of course, a matter of cultural and personal predisposition. One man’s joke — such as the “Barack the Magic Negro” song that top Republicans passed among themselves — could be another man’s slur, and what annoys an American—such as a Pinoy texting in the middle of conversation — might be perfectly normal to the other fellow.

So the Oxford list might cause some of us to just go “Eh?”, but it’s always interesting to see what ticks off other people. Now let’s see which among the following words or phrases feels like a bug in your ear:

1. At the end of the day

2. Fairly unique

3. I personally

4. At this moment in time

5. With all due respect

6. Absolutely

7. It’s a nightmare

8. Shouldn’t of

9. 24/7

10. It’s not rocket science

Well, come now, that wasn’t too bad, was it? We hear these expressions hereabouts now and then, but not that often, so they don’t grate on us as they might with the English. For example, we hardly ever say, “It’s not rocket science,” because, well, we don’t have rocket science in this country. Indeed we have our own, uhm, fairly unique ways of putting things and of getting annoyed by them.

I’ve compiled my own list of irritating expressions in English as we Filipinos use the language among ourselves, with others, over the airwaves, in the office, in conferences, and in the papers. I’m sure you can add to this list — do send me your pet peeves — and this comes with the caveat that the annoyance may be entirely mine. If they don’t bother you, then don’t lose any sleep over them; Lord knows we suffer enough aggravations in this life and in this country without having to be upset by wrong or awkward prepositions.

(Speaking of which, a reader wrote in recently to say how he or she — there was no name in the email address — failed to appreciate whatever I was doing in my column-piece on getting a La-Z-Boy, because I had committed the grievous error of saying “in the mall” instead of “at the mall” in my first sentence. I said I agreed that “at the mall” was probably the preferred and “correct” form, but I also asked him/her to Google the whole phrase “in the mall” to see how it’s entered common usage. Language — unfortunately or otherwise — isn’t graven in stone like math, perhaps to the distress of ruler-toting schoolmarms; one billion people saying “1+1=3” isn’t going to make it so. But if enough people—including influential writers and editors in places like Newsweek and The New York Times — say “different than” instead of “different from,” which I’m sticking with only because it’s what I’ve been used to, then the language will change; it already has. This might as well be the place for me to remind readers that while I do teach English and while I deeply value and enjoy language as a writer, I don’t think of myself as a stickler for rules, as some would like me to be. I cringe at bad language and poor grammar, but there are far worse things in life to fret over, and some of the worst damage to English is being perpetrated by some fools in Congress who insist on an English-only policy when they can barely speak or write it. I once had to sit through a hearing where a congressman held forth on “the youngs, the youngs of this country!”)

But here’s my list of the 10 most irritating Pinoy expressions in English — irritating not necessarily because they’re wrong (although some are), but because they’re everywhere you look and listen.

1. “In fairness.” The most popular phrase in Pinoy showbiz, where fairness is apparently in great demand. Every time I hear this, my mind goes, “In fairness to whom or to what?”, but you never get to hear the other end of the phrase, so much so that you begin to suspect that the speaker really means “In fairness to me!”

2. “As far as.” I don’t mean “as far as the eye can see,” but “As far as accommodations, everything is already taken care of” (or, more likely in these parts, “taken cared of”) or “As far as Manny Pacquiao, either Hatton or Mayweather will be okay for his next fight.” As in the above, I keep looking for the missing “is (or are) concerned” after “as far as” — but it looks like that’s as far as most people will go.

3. “At this point in time,” the Pinoy version of “At this moment in time.” I can recall precisely when I began hearing this wondrously redundant expression over the airwaves — during the coverage of the 1986 EDSA revolt and its aftermath, from which point (in time?) it became a staple of reporters and broadcasters. Why not just say, “at this point” or “at this time” or the even more economical “today” or “now”?

4. “Remains to be.” Not in the sense of “It remains to be seen if Filipinos will finally vote for the right person,” but rather “The deposit remains to be unclaimed” or “This painter remains to be unappreciated by the critics.” “To be”? Not to be!

5. “Wherein.” I don’t know how this word crept into the vocabulary and overran the place, rather like the carnivore snail someone imported that ate up all the other garden creatures both good and bad, but you hear it everywhere, taking over where (or wherein?) the good old “where” (or, sometimes, the more precise “whereby”) should suffice. Hear this: “The house wherein the hero was born will be turned into a museum.” Want to have some fun? Google these two words together: “wherein” and “Philippines.” You’ll find choice examples like “He entered the University of the Philippines wherein he studied Medicine.”

6. “Demand for.” I’ve already written about this before, but obviously no one in government and corporate officialdom reads me, so we still have signs screaming “Demand for your receipt!”

7. “Literally.” Don’t people know that “literally” means, well, “literally”? I’ve heard people say “I’m so hungry I could literally eat a horse!” Really? I tried horsemeat once, in little nibbles—no, it didn’t taste like chicken — so I guess I could say “I literally ate horse,” but literally eating a horse will require hunger the size of Africa.

8. “Whatever.” You ask someone a perfectly good question you’ve taken minutes to compose, and that person shrugs her shoulders or rolls his eyes and says “Whateverrrr….” Don’t you just want to strangle that person on the spot?

9. “Wholistic/holistic.” First of all, just how do you spell this thing? Does it come with a W or not? The medical dictionary defines “holism” (no W) as “the conception of a man as a functioning whole. But then you have websites devoted to “The Wholistic Pet” and “Wholistic Health Solutions” (which, incidentally, sells the Home Colon Cleaning Kit). This word (with or without the W — whatever) seems to be one of those warm and fuzzy buzzwords that came in with New Age music, organic tomatoes, and NGOs. (I’ll talk about “stakeholders” some other day.)

10. “Multiawarded.” It’s No. 10 on this list, but it tops my list of Ugliest Frankenwords in the Universe. Of course, it’s popular because it does the job of saying “He (or she) has won not just one but many prizes!” Anyone should be happy to be multiawarded, and I should be honored that this word’s been often applied to me in introductions and such — but it isn’t false modesty at work when you see me wincing at the word. “Prizewinning” will do. Or, better yet, “many-splendored.” But that would no longer be me.

* * *


There was an error in this gadget